What this last group feeds back of course usually isn't quite the same
as the marketers would wish. But of course people's perception of brands
is a blend of the way the company actually behaves as well as the way
it would like us to think it behaves.
Schizophrenia
Is a fragmentation of mental functions. Symptoms are a range of
disorders of thought, leaping from one concept to the next with no consistency
between them. Disorders of attention - unable to filter out the
irrelevant stimuli or concepts. The ability to pay selective attention
is greatly reduced. Under this kind of pressure the subject retreats
from the barrage of external sensations and from social contact.
The subject begins to inhabit a private world with it's own peculiar structures.
Once cut off from the social world many schizophrenics develop ideas of
reference that external events have a personal relation to them.
In extreme cases this becomes paranoid - hearing voices and having hallucinations.
You're
probably expecting some cheap shot about uncoordinated brand communications
and the brand being all over the place and yes that is tempting but there
is a serious point in that many companies when faced with a reality that
does not fit will retreat and use the excuse of having a strong and distinctive
company culture to hold out against all the feedback that is dissonant
with their own way of looking at the world. Car companies are particularly
prone to this. Having spent so much of their time and effort managing
metal, they cannot believe that the rest of the world is not as obsessed
with cars as they are and this manifests itself in the determination to
put product shots into every ad. It is a kind of narcissism as if
the appearance of the car was somehow validating itself. Which it
isn't. Most cars look very like other cars and people buy cars for a whole
lot of reasons other than what they look like.
Treatment? Tricky. The subject has to be re-introduced to
the world and taught that not all dissonant feedback is a threat. I suspect
that planners spend a lot of time doing this.
Neurosis
This is when the subject is prey to irrational fears. Symptoms
are fear or defences to ward off anxiety. While the subject may
find contact with the outside world distressing they unlike the psychotic
they are perfectly capable of coping with external reality. The primary
symptom is a phobia that is persistent and irrational. There are
many thousands of different phobias. What they all have in common
is that the phobia is irrational: there is no danger or that it is exaggerated
out of all proportion. In many cases the subject knows their phobia is
irrational but can do nothing about it. And the phobia is a constant preoccupation.
In extreme situations the subject develops obsessive compulsions as a
way of keeping the perceived danger at bay.
Government
departments typically display classic neurotic symptoms. Perpetually
driven to anticipate and conform with the wishes of politicians who are
usually far too busy to be consulted, huge amounts of energy are expended
trying to implement policy by second guessing it. The result is
creative work which is cautious because it is entirely conceived to please
the internal audience. There are plenty of examples: the campaign about
the millennium bug designed not to make people over anxious about
their computers, the human rights campaign designed to ensure that no
one once informed of their rights actually claims them. Yes Minister
is full of it.
Treatment: once again difficult. The subject needs to learn
to distinguish between perception and reality. Unfortunately the
volume and extent of perceptions usually vastly outnumbers that of reality.
Sociopaths/Psychopaths
The
sociopath is a loner who is incapable of forming normal social relationships.
Unlike neurotics who are overcontrolled: guilt ridden and anxious, sociopaths
are undercontrolled. They tend to be impulsive, fearless of consequences
and lacking any kind of empathy with others in terms of the effects of
their actions on other people.
Financial services brands display many of the characteristics of the
sociopath and insurance companies especially so. Their problem is
that they like all companies need customers but because of the nature
of their business - the security of money they assume the worst about
their customers when they actually try to use the product. I vividly remember
a respondent ripping a picture of ventriloquist with a dummy on
his knee out of a magazine in a group about insurance and saying that
when you needed an insurance policy the company would say what ever you
wanted to hear to get you to sign up. But if you ever tried to claim
then you became the dummy and the company would use all its powers of
manipulation to avoid payment treating you as if you were a criminal and
a liar. Predictably brands with such a divided personality find
it hard to get get their customers to trust them.
Treatment: The subject needs to be taught to empathise. It is paradoxical
that organisations who hold more personal details on their customers than
any other type of business should operate at such an emotional distance
from them. Egg is a celebrated example of a company that has made extraordinary
gains by focussing on trust at any cost and finding a ready audience.
Learnings
anyone?
Is there any value in an exercise like this? Or is it a bit of
a pointless exercise? Well there are a couple of learnings to be
gained.
The
first is that what drives brands is tied deep into their business model,
history and working practices. It can't be exorcised on a single
away-day. To look at brands in isolation from company culture can lead
to dramatic breakthroughs but the results are never long lasting.
Secondly by taking the business model into account an agency as an external
facilitator can chart a path to doing work that is really different because
understanding the prevailing culture, the creative work can tackle the
prejudices head on. BMP famously don't allow any VW commercial to
feature a shot of the car lasting more than 3 seconds. And when clients
understand that what drives them is usually driving their competitors
as well, they may be persuaded to buy work that transcends the category
because it doesn't pander to industry preoccupations. It is one of the
quickest ways to come up with original work.